Cirro takes its name from cirrus, the Latin for a curl and for the highest, thinnest clouds in the sky. A chandelier drawn only in curves, its bronze arcs hold cubes of onyx that turn from solid stone to warm light.
Design Narratives
The Thinking Behind Each Piece.
Every Palena piece carries a reason for the choices behind it. These are the stories of how each one came to be.
Intima takes its name from anatomy, the innermost lining of a vessel, the layer closest to whatever flows through it. A chandelier built entirely around networks, its branching bronze arms carry light the way a body carries signal.
Venomous takes its name seriously, coiled like something wild, lit like something alive. The frame carries the same sinuous tension as a snake mid-strike, all raw, untamed energy held just before it releases.
Roche is built on an ancient kind of balance, the same logic as a stone cairn, where each piece rests on the one below it with no mortar and nothing holding it together but form.
Crystals don't grow in straight lines, left alone in stone, a mineral formation erupts outward in every direction at once. Meta Crystal takes that same violent, unrepeatable chaos and renders it in precise, considered form.
Vena began with a walk through a forest, looking down at roots pushing up through the soil, twisting, crossing, splitting apart. The table carries that same restless, living logic in solid form.
Most sofas start with a cushion and build a frame around it. Meilleur Nom flips that order, starting instead with architecture, a single continuous shell designed before comfort was ever considered.
El Mar means "the sea," and the name isn't decorative. Waves never hold one shape for more than a second, rolling, breaking, and reforming, and this sectional carries that same restlessness into its modular form.
Ant colonies look like nothing from above, just a mound of loose dirt. Underground, they hold some of nature's most complex architecture. Mutu carries that same hidden depth beneath a deceptively simple form.